Visiting a movie sneak preview

I attended a sneak preview a couple of weeks ago of a movie that was released last week. The movie title isn’t terribly important–it was a ho-hum flick that no one will remember in six months–but the measures, well, they gave credence to a comment I made recently in a conversation.

When my girlfriend said the United States is a free country, I said that at least when it comes to copyright, it’s not.How ridiculous have things become? Let me tell you. There were four security guards as we stood in line. Cell phones, pagers, and all other recording devices had to be turned off. My girlfriend got special permission for her insulin pump. She had to tell them that no, she couldn’t do without it. Yes, really. Why? If something lights up, the thugs are instructed to assume it’s a recording device and evict you, no questions asked.

"Disney wants you to talk about this movie," the head thug said. "But Disney is equally concerned that nobody makes a copy of it."

Judging from the quality of the film, they’re more concerned about people copying their stuff than they are about making good new stuff. No wonder Disney’s in financial trouble. (The most frustrating thing about this particular film was that it probably could have been pretty good but it was blatantly obvious that the screenwriters didn’t know anything about the world they were trying to portray.)

Once we were seated, when someone came back from the concession stand, I so wanted to ask the person, "You sure there isn’t a recording device hidden in that hot dog?" But I couldn’t remember if they’d told us recording device jokes would not be tolerated–kind of like bomb jokes while standing in line to get on an airplane. I assumed they wouldn’t be tolerated and kept my mouth shut.

This totalitarian atmosphere has a lot to do with what’s wrong today with the music and movie industries. They love pay-per-view because they can control it. You have to fork over a few bucks every time you watch the movie. They’ve made two attempts at disposable DVDs because, again, their lifespan is limited. If you want to watch it again after the disc has self-destructed, you have to pay again.

You think they’re going after 321 Studios just because they don’t want people pirating DVDs? Think again. DVDs do have a finite lifespan, which does give you a legitimate reason to make a copy for your personal use. DVDXCopy is coded to only allow you to make a copy for personal use, though I suppose you could use it to make a copy of a borrowed or rented DVD. What you won’t see is people hawking DVDXCopy-made counterfeits out of the back of a van parked on a busy city street. But that’s OK. Hollywood doesn’t want you to make a copy of your Field of Dreams DVD because they want you to buy another one in six or seven years.

The way the big movie studios got big was by making great films that people wanted to see again and again. Along the way they made lots of bombs too, but that was part of the cost of doing business. Some films took a while to be appreciated–It’s a Wonderful Life being a prime example. Even though now it’s considered a classic, it was initially a flop.

And there are plenty of good films still being made. Time will tell on Secondhand Lions, for instance, but I loved it.

Being a somewhat creative person myself, I can sympathize with these companies. Making something good is hard. Making something that sells is hard. Making something good that sells both today and tomorrow is just about impossible. Even when you have thousands of people working for you, you can’t count on accomplishing that feat even once a year. The factors are beyond your control.

When the goal is increasing profits, it’s much cheaper and easier to buy a few Congressmen and set up a totalitarian state. That’s something you can control.

Shopping an estate sale for trains

My girlfriend loves shopping at yard sales, flea markets, thrift stores, and basically everywhere people look for bargains.

I’m not into that all that much. I’m a guy. So I just asked her to keep an eye out for tools for me if she happened to be garage sale-ing.

This week she found an estate sale with tools and trains. It started at 7:30 this morning. So I dragged myself out of bed to go.The description said "electric trains." Usually when people say electric trains, they mean old American Flyer, Lionel or Marx, because that was what those companies used to put on their boxes. "Model trains" usually means HO or N scale. Nothing against those, but they’re not my thing. And besides, you can buy those anywhere.

When I got there, it was right at 7:30. It looked like they’d started early because there were lots of people there. I noticed a lot of people glancing at the trains but not staying long. I took a look. The glossy brightly-colored enameled bodies instantly told me it was pre-war stuff. I looked at the prices. $85 for a refrigerated car. $28 for a gondola. $24 for a caboose. These guys had gone to the library and looked up the values of the cars. I know because the guy told me so.

"Are these prices about right? I went to the library and looked them up."

I explained to him that the Greenberg price guides tend to be skewed in favor of the east coast. Prices are higher there, partly because the cost of living is higher out there than in the midwest, and partly because there’s a bigger following over there. Lionel and Marx were both New York companies. Gilbert was a New Haven company. Flyer was a Chicago company before selling out to Gilbert, but that was prior to 1938. There’s more appeal to the stuff on the east coast because you find people whose grandfather or great uncle worked for one of those companies, or some other connection.

What I didn’t tell him (but should have) was that those prices are for mint condition. And while his items were in nice shape, they were anything but mint. Most of them would grade to excellent, or very good. Stepping down a grade knocks anywhere from 10%-50% off the price of the item.

The cars also weren’t 100% original. At some point the couplers on the cars had been replaced with Lionel post-war couplers. That’s an upgrade, which is probably why the original owner had done it, and whoever did the upgrade did a good job, but from a collector’s point of view, it lowers the value. It’s an advantage to people who run the trains, but someone like me isn’t going to pay extra for it.

The prewar freight set that was priced at $137 total at this sale probably would have been priced closer to $75 at Marty’s Model Railroads, frankly. Marty probably would have given him $40 total.

He also had two passenger sets. They would have graded out to Good, possibly only Fair. They, too, were priced at mint.

There was a nice prewar engine. I forget the number. It was priced at $250 for the engine and tender. That’s a fair price if it’s a whistling tender, if the engine is in perfect working order, and the paint is good. The paint was really good on the engine. But it probably at least needed a lube job. With no way to test the engine, there was no way I was going to pay $250 for it.

I spied a couple of postwar Marx diesels, priced at $50. It was an A-B pair, with the B unit being a dummy. A quick examination revealed the front had been cracked and re-glued. Diesels tend to go for more than steam engines the same age, but in that condition, and untested, a Marx should only go for $20.

I also spied a couple of pairs of Marx metal switches. They were the electric variety. I’m told metal Marx switches were prewar. I don’t know about that, since all of the metal ones I’ve ever seen were in a lot with postwar equipment. Maybe they were put together after the war with old parts. Marx was known for that. At any rate, the Marx metal switches are highly desirable. The later plastic switches sit higher than your track, so you have to shim your track for the locomotives to run right. These don’t. Also, the design allows Marx and American Flyer engines with thicker wheels than Lionels to pass through them. So a metal Marx switch lets you run any train you want. And unlike the Lionels of the same vintage, they run off a fixed 18 volts, not from the track, so they tend to work more reliably.

The only Lionel switch that compares is the Lionel 1121, which Lionel didn’t make for very long. It’s easier to make the 1121 self-tending, but in all other regards the Marx is better.

The switches were priced at $10 per pair, including the original boxes, control panels and wires (but the wires need to be replaced). That’s not a fabulous price, but it’s fair. I paid $10 per pair for some plastic Marx manual switches at Marty’s back in December. Marx switches tend to sell for $10 per pair on eBay, but then you have to deal with shipping.

So I bought the two pair of switches, and nothing else.

Later, my girlfriend told me they wouldn’t take her check. So I guess it’s a good thing I only got the switches. I wouldn’t have been able to get any more even if I’d wanted to, because I only had $24 in cash on me.

It was a mild disappointment. I took a quick look at the tools and saw the same thing. Prices were very close to what I would pay at Sears. Only at Sears, I’d get a warranty on it, and if I bought $100 worth of stuff, I’d get a $5 off coupon on my next purchase.

It was a mild disappointment. She was disappointed too. I’m going to assume it wasn’t typical. She told me it wasn’t a very good estate sale.

I think I’ll go back tomorrow afternoon, towards the end, and see if the trains are still there. Maybe then he’ll be looking to deal. Marty can charge the prices he does because he’s willing and able to sit on inventory for months or years. Individuals usually can’t or won’t do that. But he was charging more than Marty would.

If not, there’ll be more next week, or if not, the week after. ‘Tis the season, and very early in the season, at that.

I need to build this in O gauge

I visited the site because the link promised billboards. I got so much more. Now the fine Scot in me really wants to build this box car.

Since my trains are O27, not HO, I can’t use his artwork directly. But his HO scale decals might be suitable for a tinplate 6-inch car like those American Flyer and Marx used to sell, since those 6-inch Marxes basically look like double-height HO cars.This is precisely why I’m not a rivet-counter. Trains are supposed to be fun. This car doesn’t exist in the real world, but it’s fun. The Second Amendment Gun Shop with a sign in the window saying “No weapons allowed” doesn’t exist in the real world, but it’s fun.

I try to keep elements of what I do believable–you won’t see any low-rider Honda Civics running around my layout, which is supposed to look like the 1950s because my trains were built in the ’50s–but since I can’t build models of a specific time and place, what’s the point of getting uptight about whether M-K-T box car 45001 really existed?

But hey. For some people that’s the best part of the hobby. That’s OK. Just don’t try to stop me from having my fun.

Troubleshooting Marx remote turnouts

Yesterday I hooked up Dad’s old Marx O27 remote turnouts, and again found one of them dodgy.
I can’t find any troubleshooting information about Marx O gauge switches online. I went to the library and checked out all the toy train repair books I could find. Nothing. One of Ray L. Plummer’s books offered advice on repairing Lionel turnouts. But the Marx turnouts are slightly different. Emboldened, I set off on my own.

Before you destroy what little collector value your switches have (The words “switch” and “turnout” are often used interchangeably; forgive me if I try to feed Google to get more traffic), let me tell you how to test them first. All you need your turnout(s) (don’t connect them–just keep them loose), two pieces of wire, and a transformer. I used a 25-watt Marx transformer from an entry-level train set I bought off eBay for $20. This eliminates the control panel, track, and everything else from the equation. Of course, you should use a transformer that you already know to be in working order.

Some transformers have posts for both trains and accessories. Some (like the one I used) don’t. Don’t worry about it; we’ll just use the train posts for this exercise.

Don’t plug the transformer in yet. Run a wire from the center post of the turnout (sometimes labeled “B” or “black,” although not on Dad’s) to one of the posts on your transformer. Connect another wire to the other post, but leave the other end loose.

Now, before you plug in your transformer, please keep in mind that you’re working with electricity and use common sense. Keep your hands dry, don’t do this if you’re bleeding, etc. I’m not responsible for what happens next, OK? If you’ve never done anything like this before, take it to a hobby shop and let a pro handle it–a switch that will cost you $15 on eBay in working order isn’t worth personal injury. Or you can buy a new Lionel or K-Line switch from the local hobby shop for $30-$35. Yes, a 50-year-old Marx turnout is worth less than a new one from Lionel or K-Line. That’s the way it goes sometimes.

Got all that? Good. Still with me? Great. Plug in the transformer. Turn it on. Switches like to run at 16-20 volts AC, so crank the transformer’s lever to full speed. Touch the loose wire to either of the outer posts on the switch. Then pick it up and touch it to the other one. Alternate between the two a few times.

If the accessory is still in working order, the track should change positions based on which post you touched the wire to. If it doesn’t, there’s probably a loose or frayed wire somewhere inside.

If the switch works this way but not when you connect the Marx control panel, your control panel is dodgy. I read on The All-Gauge Model Railroading Page that Atlas controllers for their HO turnouts work fine with Marx O27 turnouts. I also read in the same place that Lionel and K-Line controllers will not.

You can also pick up a Marx control panel on eBay. I saw one sell for $5 this past weekend.

Or if you’re handy with wiring, you ought to be able to fashion your own with a couple of push buttons or momentary switches from your local Radio Shack or equivalent–just make sure whatever switches you buy can handle 20-24 volts of current. (Always over-engineer on this kind of stuff.) If you want to go this route and you’ve never done any model railroading wiring before, pick up one of the books on wiring Lionel/Marx/American Flyer layouts–many hobby shops, larger bookstores, and even a lot of libraries have them–and follow its precautions. I’m not responsible for whatever happens if you go this route.

How do you fix a Marx control panel? It’s held shut by four rivets, so opening it for cleaning isn’t an easy endeavor. I fixed my dodgy control panel by blasting some Radio Shack TV tuner cleaner ($9 for a big can) into the openings, then flipping the unit over a few times to get it circulating, then working all four of the buttons. Seeing as the switch is little more than a couple of handfuls of contact points, there’s a decent chance that’ll take care of you. There really isn’t much inside there that can go wrong.

If TV tuner cleaner doesn’t help, it’s probably corrosion. You can open it up and clean any and all electrical contacts with a piece of 600-grit sandpaper, or fashion replacements from some conductive material (copper foil would be best, but aluminum would work). But you’re on your own from here.

If the switch doesn’t work, period, there’s probably a loose or frayed wire somewhere inside. Fortunately, there are only five wires inside.

Opening the switch’s case is a bit of a chore. It’s held shut by two rivets, easily found by flipping the turnout over and looking for indentations. Disconnect the outside wires and power off your transformer (of course). The proper tool to remove rivets isn’t exactly a household item (at least not in mine), so you can do what I did: Pinch the edges of each rivet with a pair of needle-nose pliers until it pushes through the case. The bottom should then come right off. You’ll notice three screws inside. There should be a wire connected to each. Overzealous loosening of the nuts on the top of the case followed by some jostling can loosen those wires. Tighten the screws (if they’re severely corroded, you might consider replacing them). If any of the wires appear frayed, replace them, or have someone handy with a soldering iron replace them.

If you find wires detached from screws and want to keep it from happening again, you can solder the wires to the screws, but this is probably overkill.

The small box on the top of the switch is held in place by six or so tabs on the bottom of the unit. This houses the electromagnet. You can gain access by gently bending the tabs with a small slotted screwdriver. Check to make sure those three wires are still soldered in place. The biggest place for something to go wrong on a Marx turnout is over by those screws it uses for terminals, however, so chances are there’s nothing wrong over in the electromagnet’s neighborhood.

Closing up shop can be as easy or difficult as you like. Since I don’t care about collector value on a pair of switches that might fetch $25, tops, on eBay, I replaced the rivets with a pair of very thin and short machine screws. If you care about collector value, procure a pair of small brass rivets to replace the two you just ruined.

A more permanent home for Dad’s Lionel

Gatermann and I spent the afternoon building a train table. I started building one about a month ago but got too busy to finish it. Today was the day I’d set aside to get some work done on it.

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Vintage signs and lighting for your toy train layout

I couldn’t have possibly found this site too soon: http://www.gatewaynmra.org/download.htm.
Besides photographs of six vintage building signs, there are also numerous other photographs for download that might be useful, and also some articles with really good tips.

Emphasis is more on serious modeling in HO or N scale than in toy-train O or S gauge, but in the case of the photographs, all that means is you have to print them bigger in order to use them. And the tips for assembling and improving models from kits hold regardless of type.

I also found this tutorial on lighting your railroad buildings with Christmas lights. Seeing as most places have them on sale for 50, 60, or 75 percent off while they last this time of year, the timing’s pretty good.

One guy in rec.models.railroad suggested using yellow LEDs to light your buildings, but seeing as a strand of Christmas lights is dirt cheap and I don’t have anything to cannibalize yellow LEDs from, I may go the Christmas light route first.

Recapturing the charm of Dad’s Lionel train

I unboxed Dad’s old Lionel train Monday night. They don’t make them like that anymore.

Dad’s train led a rough life. My investigative reporting skills tell me he got the train sometime between 1949 and 1952, and then sometime after 1953 he got a new locomotive and cars. And then sometime in the 1960s, the trains ended up in a box. I remember him telling me it came out a few times in the 1970s for Christmas, but most of my memories of Dad’s train are four big pieces of plywood with rusty track mounted on it, sitting in the garage next to a stack of repurposed liquor boxes containing train parts.

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Ho-hum.

Another day, another Outlook worm. Tell me again why I continue to use Outlook? Not that I ever open unexpected attachments. For that matter, I rarely open expected ones–I think it’s rude. Ever heard of cut and paste? It’s bad enough that I have to keep one resource hog open to read e-mail, so why are you going to make me load another resource hog, like Word or Excel, to read a message where the formatting doesn’t matter?
The last couple of times I received Word attachments that were important, I converted them to PDFs for grins. Would you believe the PDFs were considerably smaller? I was shocked too. Chances are there was a whole lot of revisioning data left in those documents–and it probably included speculative stuff that underlings like me shouldn’t see. Hmm. I guess that’s another selling point for that PDF-printer we whipped up as a proof of concept a couple of weeks ago, isn’t it? I’d better see if I can get that working again. I never did get it printing from the Mac, but seeing as all the decision-makers who’d be using it for security purposes use PCs, that’s no problem.

I spent the day learning a commercial firewall program. (Nope, sorry, won’t tell you which one.) My testbed for this thing will be an old Gateway 2000 box whose factory motherboard was replaced by an Asus SP97 at some point in the past. It’s got 72 megs of RAM. I put in an Intel Etherexpress Pro NIC today. I have another Etherexpress Pro card here that I’m bringing in, so I’ll have dual EEPros in the machine. The firewall has to run under Red Hat, so I started downloading Red Hat 7.2. I learned a neat trick.

First, an old trick. Never download with a web browser. Use the command-line app wget instead. It’s faster. The syntax is really simple: wget url. Example: wget http://www.linuxiso.org/download/rh7.2-i386-disc1.iso

Second trick: Download your ISOs off linuxiso.org. It uses some kind of round-robin approach to try to give you the least busy of several mirrors. It doesn’t always work so well on the first try. The mirror it sent me to first was giving me throughput rates that topped out at 200KB/sec., but frequently dropped as low as 3KB/sec.Usually they stayed in the 15MB/sec range. I cancelled the transfer (ctrl-c) and tried again. I got a mirror that didn’t fluctuate as wildly, but it rarely went above the 20MB/sec. range. I cancelled the transfer again and got a mirror that rarely dropped below 50MB/sec and occasionally spiked as high as 120MB/sec. Much better.

Third trick (the one I learned today): Use wget’s -c option. That allows wget to resume transfers. Yep, you can get the most important functionality of a download manager in a 147K binary. It doesn’t spy on you either. That allowed me to switch mirrors several times without wasting the little bit I’d managed to pull off the slow sites.

Fourth trick: Verify your ISOs after you download them. LinuxISO provides MD5 sums for its wares. Just run md5sum enigma-i386-disc1.iso to get a long 32-character checksum for what you just downloaded. If it doesn’t match the checksum on the site, don’t bother burning it. It might work, but you don’t want some key archive file (like, say, the kernel) to come up corrupt. Even though CD-Rs are dirt cheap these days and high-speed burners make quick work of them, there’s still no point in unnecessarily wasting 99 cents and five minutes on the disc and half an hour on a questionable install.

As for downloading the file in separate pieces like Go!Zilla does, there’s a command-line Linux program called mget that does it, but it doesn’t follow redirection and it doesn’t do FTP except through a proxy server, so I have a hard time recommending it as a general-purpose tool. When it works, it seems to work just fine. You might try mget, but chances are decent you’ll end up falling back on wget.