The big-time gamers are all up in arms over John C. Dvorak’s assertion that the game industry is dying. But he’s right an awful lot more than he’s wrong.
The games aren’t nearly as original as they used to be.Let’s track the evolution of the first-person shooter. Games where you run around in a maze and shoot everything that moves aren’t new. Castle Wolfenstein was a huge hit for Muse Software way back in 1981. The premise was simple: You’re trapped in a castle full of Nazis and your job is to shoot everything that moves and escape. Simple enough.
Was it the first game of its type? I don’t know. I don’t even know for certain that it was the first popular game of its type. But it at least proves the idea is is at least 24 years old as of the time of this writing.
Eleven years later, Wolfenstein 3D was published and released. It took the same premise and put it in a 3D setting. Its inspiration was obvious. And like its famous predecessor, it pushed the limits of the time: You needed a pretty advanced CPU to play it, and the better your graphics and sound cards were, the better gaming experience you got. In the early 1990s I remember people bragging about the slowest computer they managed to get to run Wolf3D.
A year or so later, Doom was released. It was considered revolutionary. The graphics and sound were better, and it required a better computer, but as far as a plot went, all one had to do was replace the Nazis with monsters and give the main character a larger assortment of weapons.
And that’s pretty much where we stand today. There is no revolution here. Each generation adds more eye candy and another layer of complexity, but the basic premise isn’t really changed since that 1981 game. Some people like that kind of thing and others don’t. Dvorak clearly doesn’t. I never really got into it much either. Once I got over the initial wow factor of seeing a computer-generated 3D world, I found I just didn’t enjoy it. I had a brief fling with a 3D FPS called Redneck Rampage. It used a recycled game engine, just replacing the original setting with a backwoods theme and replacing the characters with rednecks and aliens and playing off every stereotype in the book. I enjoyed the game mostly because I thought it was funny. Once the jokes wore off, I quit playing.
Whether this genre has been worked over to death depends on whether you like this sort of thing, I guess. And maybe that’s where Dvorak is wrong. Neither he nor I see the originality, but people enjoy the games and keep buying them. I don’t see the originality in country music either–to me, the songs pretty much sound alike, and the words are all about pretty much the same thing–but the country music industry is huge and it ain’t exactly shrinkin’, y’all.
Hrumph.
But maybe this is just a sign of a mature industry. One of my high school writing teachers was fond of pointing out that Shakespeare never wrote an original plot in his life. But the stories seemed new when he put new and compelling characters in new settings along with those tired old plots.
Some people will get bored with the FPS games and move on to another interest. Others will keep at it, no matter how bad or unoriginal the games get. The only question is whether the audience will grow or shrink as a whole over time, and if it shrinks, how profitable the genre will become.
I think part of the problem for both Dvorak and me is that we’re both old enough to remember the early 1980s, when new games would come out and the new games really did seem new. All told, a total of about 900 games were released for the Atari 2600, and of those, about 100 were really common. (Of the remainders, a very large percentage of them were knockoffs or sequels and some of them were so bad that they sold terribly, so nobody saw them.)
Most of us who lived through that time and were really into technology saw those 100 or so games and enjoyed them.
There’s another difference too. Those games were a lot simpler. That’s both good and bad. A really avid gameplayer will probably master the game too quickly and get bored with it. But a more casual gamer can pick it up and learn it and enjoy it.
A really good Civilization player will probably enjoy Civ3 more than the original because it’s more challenging. But I’ve come to prefer the first two, because I can still pick up the original and play it well. If I spent ten hours a week playing video games, it might be different.
The gaming industry hasn’t completely lost me. There are still a handful of games I enjoy: the Civilization series, the Railroad Tycoon series, and the Baseball Mogul series. I haven’t bought the new Pirates! yet, but I’m sure I will if and when the price comes down because I loved the original.
But I only pick up one or two of those games per year anymore, and I probably don’t play them for more than a few weeks when I do.
Since my fiancee enjoys racing games where the two of us can race, if I’m ever out somewhere and I see two copies of a cheap racing game that looks decent and offers network play, I’ll get it and a couple of USB steering wheels. I imagine she’ll want to play a lot at first, and then it’ll become something we do occasionally when we might otherwise go to the movies.
The gaming industry changed, and in doing so, it lost John Dvorak and it’s probably written people like me off too, because I only spend $50 every two or three years on games.
Dvorak seems to think the gaming industry needs people like him. And that’s the only point he makes that I’m not wholeheartedly ready to agree with. The gaming industry is very different now than it was when I was 15 and playing games a lot, but it’s also a lot bigger.
David Farquhar is a computer security professional, entrepreneur, and author. He started his career as a part-time computer technician in 1994, worked his way up to system administrator by 1997, and has specialized in vulnerability management since 2013. He invests in real estate on the side and his hobbies include O gauge trains, baseball cards, and retro computers and video games. A University of Missouri graduate, he holds CISSP and Security+ certifications. He lives in St. Louis with his family.
