David L. Farquhar on technology old and new, computer security, and more
I hear two complaints about Lionel/American Flyer/Marx electric train layouts (besides the common complaints from uptight scale modelers, that is). One is the amount of space they take up, and the other is the noise.
Let’s tackle the noise. While we’re at it, we’ll tackle reliability.
Former mayor Vincent “Mel Carnahan’s just a redneck from Rolla” Schoemel’s eminent domain crusade against an auto mechanic’s garage is over.
58-year-old Jim Day gets to keep his business.Grand Avenue is a north-south drag in St. Louis that has seen better days, especially on the north side. But in all fairness it’s seen worse days too. Some 20 years ago an abandoned movie palace reopened as the Fox Theater, a venue for live music, comedy, and other shows that are too small to fill an arena but too large for a nightclub. I was going to say “too classy” for either, but while that would apply to Tori Amos, I don’t think that applies to Larry the Cable Guy.
Nearby, another former movie palace is now Powell Symphony Hall. The St. Louis Symphony plays there.
Grand makes sense as an area for redevelopment. It already has lots of attractions. The Saint Louis University campus is there. And there are a large number of vacant buildings there.
And while I suppose Jim Day’s garage, which looks like it once was an Amoco station, may not fit into everyone’s vision of a ritzy high-society stretch of town, the fact is that the people Schoemel wants to attract to Grand aren’t going to live right there. Drive onto the side streets of Grand, and you’ll find working-class neighborhoods–the kinds of people who need a decent mechanic. Most of them rent, rather than own. They’re the kinds of people who don’t really have lots of disposable income to be spending at an art gallery. A lot of them are immigrants or the sons and daughters of immigrants who are still trying to establish themselves and have dreams of buying homes elsewhere. An auto mechanic is a good thing for them to have nearby. An art gallery is little more than a distraction to their American dream.
So I’m glad the garage gets to stay. And if Schoemel really wants to rejuvinate the neighborhood and make the rejuvination stick (rather than just be concerned about appearances), it seems to me the area really could use a good-sized grocery store. The further someone has to drive to get groceries, the less likely he or she is to want to live there.
But what do I know? I’m just a working-class citizen. Schoemel probably thinks I’m a redneck too.
The Department of Homeland Security just shut down a Star Wars-hosting Bittorrent site.
What does copyright infringement have to do with terrorism?People downloading the newest installment of Star Wars (or buying bootleg DVDs) is hardly a threat to national security.
Actually I’m kind of wondering if it’s a threat to much of anything. Think about it: The people who grew up with the franchise are going to go see it in the theaters so they can see it on the big screen. I know I went and saw Episodes I and II in the theater twice each. I only go to the movies once every couple of months, so for someone like me to see both of those movies twice is something. Most people my age saw them a lot more than that.
My point is, the people who download Revenge of the Sith or buy an illegal DVD are going to see it in the theater anyway, and they’re probably going to see it a lot of times. And when the legitimate Episode III DVDs come out, they’re going to buy those two. And when the collector’s edition of the trilogy, and the extra-special collector’s edition of both trilogies come out, they’re the people most likely to buy those too. George Lucas is going to get plenty of opportunities to sell this movie thrice.
I know it’s illegal. The ethics are questionable–I have a lot less problem with people copying it if they’re going to buy the legitimate copy anyway once it’s available. But is this going to cause measurable damage to a multi-billion-dollar franchise? No.
And the Department of Homeland Security’s involvement just makes it look more like Homeland Security is more about Big Brother than it is about stopping terrorists.
If Star Wars is a big enough crisis that it shows up on these guys’ radar, then that’s a sign to me that it’s time for the department to be rethinking its relevance. Nobody is going to die because somebody saw Star Wars without paying for it.
The government needs to get its priorities straight.
I really don’t understand why Google’s plan to digitize the text of thousands of books and make them searchable is controversial.
France didn’t like it because they think it will be U.S.-biased. Get over it, France. Google is a U.S. company. What language do you think they’d do first? Hungarian? But I understand that. That’s just France being anti-American.
Now some U.S. publishers are complaining too, and that’s what I don’t understand. They should be loving this.I’ve got news for copyright holders: Virtually anything that exposes people to your work is good. It’s not possible to tell from just looking at book spines and covers everything that’s mentioned in a book. Making the text of books searchable will let researchers find obscure references to the information they seek in unexpected places.
It will also allow researchers to search books that aren’t in their local libraries. While this will likely lead to them seeking out the book via inter-library loan, it will also potentially lead to (gasp!) sales.
As an author, I believe sales are good. I believe this because I used to get little quarterly statements in the mail that told me that when a copy of my book sold, I got $1.75. The cover price on it was $24.95. That leads me to believe the publisher made some money on the sale too, unless there’s something publishers know that I don’t.
Publishers can’t aggressively market every book. The catalog is just too big. Some books sell themselves, but the majority have to wait for someone to be compelled to pick them up. Google’s search plan amounts to free, highly targetted advertising.
The publishers are also complaining that the web pages containing snippets of book text displayed by Google bear a Google copyright. When a newspaper or a magazine publishes a review of a book containing a snippet of text from the book, who do these geniuses think owns the copyright? It isn’t the book publisher. Again, a review is free, targetted advertising. No problem there.
My publisher actually allowed me to take excerpts of my book and republish them as magazine articles and they didn’t make me or the magazine pay them anything as long as the article mentioned the original book at the end of the text. Why? Again, it was free advertising.
As a writer and researcher, I salivate over the possibility of any kind of book search. I have used Amazon.com’s search inside the book feature for research purposes with some (albeit limited) success. Google’s search will inevitably lead to more books being listed in the bibliographies of new books, which is still more free advertising, and as references in places such as Wikipedia, which is also free advertising.
Publishers should be lobbying for some kind of arrangement between themselves, Google, and a print-on-demand service to offer reprints of out-of-print books that turn up in search results. Publishers and authors would then be able to continue to get revenue for books that no longer have enough interest to justify a print run, and it would allow publishers to gauge the popularity of old books and perhaps unearth a few gems that ought to be re-released. Books go out of print when the publisher can no longer prove a book is popular enough to justify a print run. Google statistics would give a real-world (not theoretical) gauge on the popularity of old books, which is something marketing departments should be clamoring to see. Wouldn’t they love to know every book that gets picked up and read in a bookstore? Metrics from Google would be the next-best thing.
The ability to search the full text of thousands of books could revolutionize the publishing industry. As an author, I can’t wait, and publishers ought to be even more excited than me.
File this under rumors, even if it comes from the Wall Street Journal: Apple is supposedly considering using Intel processors.
Apple’s probably pulling a Dell. (Update: I was wrong.)
I just took a phone call from someone who bought an LCD flat-panel and couldn’t figure out why it looked so great in the store but was purely horrible on his PC at home.
He ran into a bunch of problems that some might instinctively avoid but to others would be much less than obvious.
Taking the advice of several people, I worked on my train layout yesterday. I disassembled my L-shaped layout of two 4×8 tables, rearranged them to make an 8×8 area, and now put down a combination of Lionel and Marx wide-radius track.
As always, there was something to learn.I made an up-and-back-down loop with a modern K-Line 24-piece trestle. I think K-Line makes the best trestle on the market today and it’s the one to get, unless you happen to find a used Lionel or Marx one and can get it cheap. (Make sure all 24 pieces are there!) The K-Line trestle is intended to sit right under each track joint. Lionel and K-Line track ties actually sit right on the trestle. Marx ties are spaced just far enough apart that the trestle fits snugly in the gap. Neither arrangement causes a problem. You place the trestle piece, then drop two metal clips in place and screw them down tightly enough to hold it together.
But when you have a mixture of Marx and any other track, those track joints cause a problem. They’re too close together for the trestle to fit in between, but too far apart for them to sit securely. The problem is most pronounced on curves. So what I ended up doing was turning the trestle slightly to get more available area to hold the ties. It worked.
Another possible solution is to get out a slotted screwdriver and start prying up tabs and moving ties around. I opted to dink around with the trestle pieces instead.
Very early in my BBSing days (1989 or so), I was talking to the operator of one of the first BBSs I called. He said he instantly bans anyone who engages in "flame wars."
I didn’t know what a flame war was, though I found out pretty fast. And they’re just as much a problem today as they were back then. Maybe more, since people can talk any time and they don’t have to wait for the BBS line to get un-busy.Gatermann and I were talking about how rude people can be online. It’s frustrating to me–probably the most frustrating thing about the ‘net. But that human contact is the best thing about the ‘net, so of course I always come back, no matter how torqued off I get.
But I think that’s the problem: Human contact. The computer dehumanizes it.
I first noticed myself dehumanizing when I was meeting girls on eharmony.com two summers ago. The girls outnumber the guys there, so if you’re a guy, unless you’ve really narrowed your focus, you’re going to get a lot of matches. It felt kind of like playing Alter Ego or another early game that tried to simulate human contact. I’d say something and try to see what they sent back. And it was at the point that I got to see one girl’s picture that it suddenly dawned on me that there was a human being sitting on the other side of that keyboard and monitor.
I don’t think some people grasp the concept of talking through a machine versus talking to a machine.
Of course, some people may just hide behind it. They can’t see the look of hurt on the other person’s face, and the other person can’t reach across the table and smack them when they have it coming, so they act like trolls and get away with it. Maybe they even relish it.
The most blatant example I’ve seen is a guy who swoops in on most of the train boards once a month or so. He’s a millionaire in Washington, D.C. (he’s a trash-hauling magnate, from what I understand), and supposedly has a train collection and layout that must be seen to believe. I’m told that in person he’s a great guy, and supposedly just about anyone can come into his house and see his layout just by asking.
But online, he’s a monster. He swoops in, says rude things, watches the volcano erupt as the people who disagree with him start screaming, and then the people who agree with him start screaming, and mostly just sits back and enjoys watching people bicker and throw temper tantrums.
That’s my worst experience, mostly because I stay out of chat rooms, except for a Yahoo chat room that meets on Saturday nights and talks about repairing Marx trains. The start of the whole conversation was Gatermann telling me about someone he knows signing onto a chat room. She got to talking to some guy she didn’t know from Adam, and almost immediately demanded to see pictures. And I’m not talking the kind of pictures you show to your mother.
Maybe some people enjoy being Dr. Jeckyl in person and Mr. Hyde as soon as they sign on to the Internet. Maybe some just can’t get the idea in their head that they’re talking to a human being, since they’re not hearing a human voice and they’re not seeing facial expressions.
Anymore, I try not to say anything online that I wouldn’t say in person to someone I expect to see again. And the funny thing is, that actually keeps me out of trouble most of the time.
To take care of the rest of the time, there are certain things that I just try to avoid talking about.
I spent a nice weekend in Kansas City, where my family threw us a couples wedding shower. It was nice. The theme was BBQ.
I was happy.Among the gifts were at least 8 bottles of BBQ sauce, and I think they represented six or seven different brands, most of which aren’t available in St. Louis.
I rattled off a few of the kinds of BBQ sauce you can get in St. Louis: Kraft, Heinz, KC Masterpiece, and–I had to think for a while to come up with the name of the local brand–Maulls.
Most of them snickered when I said "Kraft." I think that stuff is illegal in Kansas City.
Actually, you can get Gates here in St. Louis also. A couple of relatives got me bottles of Gates and KC Masterpiece, but that’s OK. I’m never one to turn away good BBQ sauce, even when I can get them locally. The last time Gates was on sale here in St. Louis I bought about half a dozen bottles.
I also got a bottle of Arthur Bryant’s. It’s very famous too, and not available in eastern Missouri, as far as I know.
One relative sent me a bottle called Famous Dave’s BBQ Sauce. I posed for a picture with it. I hope my aunt sends me a copy.
So I think I might have enough BBQ sauce to get me through my final month of bachelorhood. We’ll just have to see.
The big-time gamers are all up in arms over John C. Dvorak’s assertion that the game industry is dying. But he’s right an awful lot more than he’s wrong.
The games aren’t nearly as original as they used to be.Let’s track the evolution of the first-person shooter. Games where you run around in a maze and shoot everything that moves aren’t new. Castle Wolfenstein was a huge hit for Muse Software way back in 1981. The premise was simple: You’re trapped in a castle full of Nazis and your job is to shoot everything that moves and escape. Simple enough.
Was it the first game of its type? I don’t know. I don’t even know for certain that it was the first popular game of its type. But it at least proves the idea is is at least 24 years old as of the time of this writing.
Eleven years later, Wolfenstein 3D was published and released. It took the same premise and put it in a 3D setting. Its inspiration was obvious. And like its famous predecessor, it pushed the limits of the time: You needed a pretty advanced CPU to play it, and the better your graphics and sound cards were, the better gaming experience you got. In the early 1990s I remember people bragging about the slowest computer they managed to get to run Wolf3D.
A year or so later, Doom was released. It was considered revolutionary. The graphics and sound were better, and it required a better computer, but as far as a plot went, all one had to do was replace the Nazis with monsters and give the main character a larger assortment of weapons.
And that’s pretty much where we stand today. There is no revolution here. Each generation adds more eye candy and another layer of complexity, but the basic premise isn’t really changed since that 1981 game. Some people like that kind of thing and others don’t. Dvorak clearly doesn’t. I never really got into it much either. Once I got over the initial wow factor of seeing a computer-generated 3D world, I found I just didn’t enjoy it. I had a brief fling with a 3D FPS called Redneck Rampage. It used a recycled game engine, just replacing the original setting with a backwoods theme and replacing the characters with rednecks and aliens and playing off every stereotype in the book. I enjoyed the game mostly because I thought it was funny. Once the jokes wore off, I quit playing.
Whether this genre has been worked over to death depends on whether you like this sort of thing, I guess. And maybe that’s where Dvorak is wrong. Neither he nor I see the originality, but people enjoy the games and keep buying them. I don’t see the originality in country music either–to me, the songs pretty much sound alike, and the words are all about pretty much the same thing–but the country music industry is huge and it ain’t exactly shrinkin’, y’all.
Hrumph.
But maybe this is just a sign of a mature industry. One of my high school writing teachers was fond of pointing out that Shakespeare never wrote an original plot in his life. But the stories seemed new when he put new and compelling characters in new settings along with those tired old plots.
Some people will get bored with the FPS games and move on to another interest. Others will keep at it, no matter how bad or unoriginal the games get. The only question is whether the audience will grow or shrink as a whole over time, and if it shrinks, how profitable the genre will become.
I think part of the problem for both Dvorak and me is that we’re both old enough to remember the early 1980s, when new games would come out and the new games really did seem new. All told, a total of about 900 games were released for the Atari 2600, and of those, about 100 were really common. (Of the remainders, a very large percentage of them were knockoffs or sequels and some of them were so bad that they sold terribly, so nobody saw them.)
Most of us who lived through that time and were really into technology saw those 100 or so games and enjoyed them.
There’s another difference too. Those games were a lot simpler. That’s both good and bad. A really avid gameplayer will probably master the game too quickly and get bored with it. But a more casual gamer can pick it up and learn it and enjoy it.
A really good Civilization player will probably enjoy Civ3 more than the original because it’s more challenging. But I’ve come to prefer the first two, because I can still pick up the original and play it well. If I spent ten hours a week playing video games, it might be different.
The gaming industry hasn’t completely lost me. There are still a handful of games I enjoy: the Civilization series, the Railroad Tycoon series, and the Baseball Mogul series. I haven’t bought the new Pirates! yet, but I’m sure I will if and when the price comes down because I loved the original.
But I only pick up one or two of those games per year anymore, and I probably don’t play them for more than a few weeks when I do.
Since my fiancee enjoys racing games where the two of us can race, if I’m ever out somewhere and I see two copies of a cheap racing game that looks decent and offers network play, I’ll get it and a couple of USB steering wheels. I imagine she’ll want to play a lot at first, and then it’ll become something we do occasionally when we might otherwise go to the movies.
The gaming industry changed, and in doing so, it lost John Dvorak and it’s probably written people like me off too, because I only spend $50 every two or three years on games.
Dvorak seems to think the gaming industry needs people like him. And that’s the only point he makes that I’m not wholeheartedly ready to agree with. The gaming industry is very different now than it was when I was 15 and playing games a lot, but it’s also a lot bigger.