atari 2600

Fascination with old technology

Dave Farquhar net.culture , , , , , , , , , , ,

I found this New York Times story on retro technology today. I have my own take on retro gaming.

My girlfriend tells me the 1980s are terribly hip with her students. As she was grading papers last night, I noticed one student had doodled Pac-Man on a paper, the way I remember my classmates and I doing in 1982.

I dig it.I was feeling nostalgic in the summer of 1996 when I started visiting old 8-bit oriented newsgroups on Usenet. Someone wrote in with a question about an Atari power supply, and I happened to have a Jameco catalog in my hands that was advertising some old surplus Atari boxes.

That led to me meeting Drew “Atari” Fuehring, who along with his brother had accumulated one of the largest collection of retro video game consoles in Missouri. Atari 2600, 5200, 7800; Vectrex; Colecovision; Intellivision–you name it, they had it, and if they didn’t have every cartridge and accessory that came with each, they had more than 75 percent of it.

I did a feature story on them for the Sunday magazine of the newspaper I was working at the time. It was easily the most enjoyable story I did during my time at that paper. Maybe the most enjoyable story I ever did.

I didn’t take up video game collecting, but obviously I never forgot that article. (I’d link to it but the database seems to be down forever.)

Those of us in our 20s (I’ve still got 3 1/2 months left of my 20s) grew up around technology. We’ve watched it grow up with us. So why does it seem so odd for us to think of older technology as something other than inferior? Isn’t that like saying that once you’ve heard rock ‘n’ roll, you have to give up jazz and blues?

In some regards the old stuff’s better. Hold up that original fake wood-grained Atari 2600 alongside my GPX-branded DVD player. Hold both of them up and then ask any person which of those two things originally cost more money. Even if they don’t have a clue what the two objects are, they’ll know.

There was a time when things were built to last and they weren’t rendered obsolete in two years or six months just to force us to buy more stuff.

Take the guy in the article who bought a 15-year-old Motorola cell phone. I’m sure some people think he’s nuts. The new phones have all the functions of a Palm Pilot in them, and you can play video games on them (funny, they’re old video games–I hold out hope that the people who make these gadgets have some clue) and you can take pictures with them and you can program them to play annoying songs when people call you, and I think some of them even do septuble duty as an MP3 player. But have you ever tried to talk on the phone with one? Or worse yet, talk with someone who’s talking on one? They’re terrible! They cut out all the time and the conversation sounds robotic, so everyone talks really loud trying to make up for the terrible quality–and succeed only in annoying everyone around them–and if you drive under a bridge, forget it. You’ll lose the connection.

I remember all the promises of digital. I’ll tell you what was so great about digital: It allowed the phone companies to cram a lot more conversations into a much narrower frequency range. It saved them a buttload of money, and we get the benefit of… ever-smaller, costlier phones that are easier to lose, along with an endless upgrade cycle. Trust me, next year the annoying salespeople in the mall will be asking you if you can watch movies on your cellphone, because you can on this year’s model.

Eugene Auh says he bought the phone to impress girls. Maybe he did, but he’ll keep the phone because it works.

I spend my day surrounded by technology and by the time I manage to get home, I really want to get away from it. My sister asked me a few months ago where my sudden fascination with trains came from. I think that’s exactly it. The first time I saw a train with onboard electronics that ran by remote control it really wowed me, but I’m constantly drawn to the old stuff. The older the better. I have a lot of respect for the 1950s units that my dad played with, but for me, the holy grail is an Ives train made between 1924 and 1928. In 1924, Ives came up with a technological marvel: a train that could not only reverse when the power was cycled, but added a neutral position to keep the train from slamming itself into reverse and doing a Casey Jones maneuver, and could keep the headlight lit at all times.

Trust me, it was a big deal in 1924.

Besides that, those oldies were built to be played with hard and built to last. And they were built to look good. Remember that picture I posted this weekend? That’s nothing. The electric units were gorgeous, with bright, enameled paints and brass trim and the works.

Why should I settle for a hunk of plastic made by someone who gets paid a dollar an hour whose electronics are going to fry in a year, rendering the thing motionless?

Nope. I like old stuff.

Next time I’m at a flea market and I see a Betamax VCR, I might just buy it.

Commodore’s back!

Dave Farquhar Retro Computing , , , , , , ,

Long, long ago, I owned a computer that was so reliable that it only ever crashed on me and caused me to lose work once. I remember it well, and I was livid about it. So much so that I never used that word processor again. And the computer never crashed on me or caused me to lose work again.

That computer was a Commodore 128.It was slow, it didn’t multitask, and I could barely type on its awful keyboard, and it irritated me that MicroLeague Baseball took 15 minutes to load if I wanted to use its General Manager and its Stat Compiler add-ons (of course I did), but from a pure reliability standpoint, that simple machine was the best computer I’ve ever owned.

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Heading back to Way Back When for a day

Dave Farquhar Personal , , , , , , , , , , , ,

Someone I know house-sat this weekend for a couple who are slightly older than my parents. Their youngest daughter, from what I could tell, is about my age, and they have two older daughters. All are out of the house.
It was like walking into a time warp in a lot of ways. There’s an old Zenith console TV in the living room. My aunt and uncle had one very similar to it when I was in grade school, and it spent several years in the basement after it lost its job in the family room. First there was an Atari 2600 connected to it, and later a Nintendo Entertainment System. My cousin and I used to spend hours playing Pole Position and Mike Tyson’s Punch-Out and various baseball games down there.

The living room housed a modern JVC TV, armed with a modern Sony DVD player and RCA VCR. But in the other corner was a stereo. The Radio Shack Special 8-track player was the stereotypical 1970s/early 1980s brushed metal look, as was the graphic equalizer. The tuner was also a Radio Shack special, styled in that mid-1980s wanna-be futuristic style. If you lived through that time period, you probably know what I’m talking about. But if you’re much younger than me, you’re probably shrugging your shoulders. Beneath it was a Panasonic single-disc CD player in that same style, and a Pioneer dual tape deck. A very nice pair of Fisher speakers finished it off. It was definitely a setup that would have turned heads 17 years ago. (I have to wonder if the Fishers might not have been added later.)

It seems like there are only two genres of music capable of being emitted by an 8-track player. Once genre includes Led Zeppelin and Rush. The other includes John Denver, Rod Stewart, Barry Manilow and The Carpenters. Their collection was on the latter side, which sent my curiosity scurrying off elsewhere.

But I had to try out that stereo. I kind of like The Carpenters, but I have to be in the mood for them, and I’ve heard enough John Denver and Rod Stewart and Barry Manilow to last me forever. So I checked out the CDs. Their CD collection was an interesting mix, but with a good selection of contemporary Christian (albeit mostly pretty conservative contemporary Christian). I popped in a CD from Big Tent Revival. I don’t remember the title, but the disc was from 1995 and featured the song “Two Sets of Joneses,” which I still hear occasionally on contemporary Christian radio today.

About three measures into the disc, I understood why they hadn’t replaced that setup with something newer. It blew my mind. I heard a stereo that sounded like that once. In 1983, we moved to Farmington, Mo., which was at the time a small town of probably around 6,000. We lived on one side of the street. Our neighbor across the street owned the other side of the street. Any of you who’ve lived in small midwestern towns know what I mean when I say he owned the town.

Well, in addition to owning the biggest restaurant and catering business and tool rental business in town and a gas station, he also owned a mind-blowing stereo system. Hearing this one took me back.

I almost said they don’t make them like that anymore. Actually they do still make stereo equipment like that, and it costs every bit as much today as it cost in 1985.

And Big Tent Revival sounded good. If I’m ever out and see that disc, it’s mine.

Upstairs in one of the bedrooms, I spied a bookshelf. It was stocked with books of Peanuts cartoons, but also tons and tons of books I remember reading in grade school. Books by the likes of Beverly Cleary and Judy Blume, and books by other people that I remember reading 15 or even 20 years ago. The only things I didn’t remember seeing were S.E. Hinton and Paul Zindel, but as I recall, those books hit me so hard at such a period in my life that I didn’t leave those books at home. Or maybe Hinton and Zindel were a guy thing. I’m not sure. But seeing some of the names that made me want to be a writer, and being reminded of some of the others, well, it really took me back.

Next to that bookshelf was a lamp. Normally there’s nothing special about a lamp, but this lamp was made from a phone. This reminded me of my dad, because Dad went through a phase in life where there were exactly two kinds of things in this world: Things you could make a lamp from, and things you couldn’t make a lamp from. Well, this was a standard-issue wall-mount rotary phone from the pre-breakup AT&T Monopoly days. One just like it hung in my aunt and uncle’s kitchen well into the 1980s.

The computer was modern; a Gateway Pentium 4 running Windows Me. It desperately needed optimizing, as my Celeron-400 running Win98 runs circles around it. Note to self: The people who think Optimizing Windows was unnecessary have never seriously used a computer. But I behaved.

I don’t even know why I’m writing about this stuff. I just thought it was so cool.

But I remember long ago I wrote a column in my student newspaper (I’d link to it but it’s not in the Wayback Machine), which was titled simply “Retro-Inactive.” Basically it blasted retro night, calling it something that people use to evoke their past because their present is too miserable to be bearable.

Then I considered the present. Then I thought about the 1980s. We had problems in the 1980s, but they were all overshadowed by one big one–the Soviet Union–that kept most of us from even noticing the others. We had one big problem and by George, we solved it.

So I conceded that given the choice between living in the ’90s or living in the ’80s, well, the ’80s sure were a nice place to visit. Just don’t expect me to live there.

I’m sure people older than me have similar feelings about the ’70s, the ’60s, the ’50s, and every other previous decade.

And I guess I was just due for a visit.

Ways to save money on your DVD player

Dave Farquhar Video , , , , , , ,

If you’re the only person left in the United States without a DVD player, you might want some tips on how to buy them.
I know, I know, since this year was the year of the DVD player, this information would have been a lot more helpful a couple of months ago. I don’t always think of things as quickly as I should.

Believe it or not, your best bet for a DVD player is very likely the cheapest one on the shelf at your local store, the one that’s a brand you’ve never heard of and made in China.

The main reason most people want a cheap DVD player and don’t know it is old TVs. I’ve got a Magnavox console TV that looks like it should be sitting in a shag-carpeted living room with an Atari 2600 connected to it. DVD players have S-Video and composite outputs. The only words of that sentence my ancient TV understands are “have” and “and”.

There are two ways you can put composite inputs on an old TV like mine. You can connect an RF modulator to it–that’s an accessory you can buy at Radio Shack for $30 or most consumer electronics stores for $25 that plugs into your TV’s antenna jack and gives you composite and possibly S-Video inputs.

The second way to put composite inputs on an old TV is to connect a VCR to it. Chances are you already have a VCR. Every VCR I’ve ever seen has composite inputs, which are intended to allow you to chain two VCRs to a TV.

But most brand-name DVD players have copy protection circuitry that detects the presence of a VCR and degrades the picture to an unacceptable level. This is because Hollywood is convinced the only reason someone would connect a DVD player and a VCR in tandem is to make copies of DVDs. And since the lack of composite inputs on old TVs presents an opportunity to sell more stuff, and most big-name makers of DVD players also make stuff like TVs, they’re more than happy to comply.

The brands you’ve never heard of, however, really don’t give a rip. They care about making stuff cheap. And, well, extra circuitry means extra cost. So that’s one reason to leave it out. And China is notorious for thumbing its nose at Western copyright law anyway. (I find it really frightening that totalitarian China is more interested in my rights as a consumer than the supposed Republic of the United States, but that’s another topic.)

Connecting a VCR to a TV through its antenna doesn’t noticeably affect picture quality, because VHS’ picture quality is lower than that of broadcast TV. Connecting a DVD player through the antenna–whether through a VCR or an aftermarket RF modulator–does reduce picture quality. But the picture will still look better than VHS-quality.

Every time I’ve looked, I’ve been able to find no-name DVD players for $60-$65. Name-brand ones cost closer to $100. So a cheapie could potentially save you $70, if it saves you from having to buy an RF modulator.

But even if your TV has composite and/or S-Video inputs, you probably still want the ability to chain your DVD player through your VCR. Because chances are you still want to keep your VCR around for recording TV shows (don’t tell Hollywood) and watching all your old tapes that you don’t re-buy on DVD.

An awful lot of TVs that have those inputs have two sets of inputs, one on the front and one in the back. If you ever connect your camcorder to your TV, you want to save your front-mounted inputs for that, to save fumbling around. If you have a videogame console that you’re in the habit of disconnecting and reconnecting, you want your front inputs for that.

Having the ability to chain your new DVD player to your old VCR gives you more options in setting things up. Options are good.

If you just got a DVD player and you’re having problems with it, you might just want to exchange it for a no-name model.

Finally, if you’re into foreign films and want to import DVDs to get movies you can’t get in the United States yet (if ever), you’re much more likely to be able to disable region codes on a no-name cheapie than you are on a big name brand.

What about reliability? Yes, a $60 no-name model is probably more likely to break than a $100 brand-name one. How much more likely? It’s hard to say. Is it worth the risk? Absolutely. In all likelihood, by the time your cheapie breaks, you’ll be able to buy a replacement cheapie for 40 bucks. Or, since many cheapies use a plain old IDE DVD-ROM drive like your PC, and that drive is the only mechanical part in a DVD player, you stand an awfully good chance of being able to fix the thing yourself. It’s pretty easy to find an IDE DVD drive for $50 or less right now. Within 18 months, I expect them to be selling for $20. If not sooner.

Finally, a tip: If your TV has S-Video inputs, use them. Using S-Video instead of the more conventional composite gives you a sharper picture and better color accuracy. With VHS, this doesn’t make a lot of difference because the format is really low-quality to begin with, and tapes wear out and reduce it even more. There are a lot of things that can go wrong before the signal even starts to travel down that set of cables.

Since DVD has much higher resolution and doesn’t wear out, you’ll notice the difference.

The AT’s coming out of retirement

Dave Farquhar Hardware , , , , , , , ,

Scary thoughts. UPS dropped off a pair of Soyo AT socket 370 motherboards while I was at work yesterday. So I’ll be picking those up from the apartment office after it opens this morning. That only means one thing. My PC/AT is about to come out of retirement.

Let’s think about that for a minute. When this ancient thing was built, Ronald Reagan was just starting his second term. The Soviet Union still existed, and the Evil Empire loomed large. The most popular game console wasn’t the Sony Playstation–it was the Atari 2600. Some popular rock’n’roll bands of the day: The Police and Duran Duran. U2 was on the map and rock critics knew them, but to the majority of people, the name conjured up images of a spyplane if it meant anything at all. The minivan as we know it today was just coming onto the market.

Dell Computer Corp. existed only as an operation out of a dorm room at the University of Texas at Austin, and it was known as PCs Limited. Gateway 2000 didn’t yet exist. The #2 maker of IBM-compatible PCs was Tandy.

Popular movies included Romancing the Stone, The Terminator, and Sixteen Candles.

U.S. airlines that were still in business: TWA, Eastern, and Pan Am. The most troubled airline at the time was Branniff Airways, which was in a long bankruptcy proceeding (it would later make a comeback, then die again).

Anyway… I pulled the PC/AT case out of storage, dug out some drive rails, found some Phillips screws that fit it (IBM insisted on using old-style slotted screws for some insane reason–I hate those), and I even dug out a vintage YE Data 1.2 MB 5.25″ floppy drive like IBM used. Then, noticing the 17 years’ worth of accumulated grime, I gave the case a bath. Now it looks two years old instead of 17. Actually, it looks pretty darn good. They don’t build ’em like that anymore. Of course, for what that case would cost to build today, an OEM can probably build an entire PC.

I’ve also accumulated other components: a junky Trident-based AGP video card is also about to come out of retirement, as is my old Media Vision Pro Audio Spectrum card with SCSI interface. That CD-ROM drive died long ago, but I’ve got an NEC 2-speed SCSI drive that looks great in the case. (This system’s all about retro looks; if I need speed, I’ll use a CD-ROM drive off my network.) To accomodate that, I’ve got a D-Link 10/100 PCI NIC.

Just one thing’s holding up this project: Computer Surplus Outlet just shipped my Celeron processors. I ordered the boards and chips the same day. That’s annoying.

A Mac Norton Antivirus tip

Dave Farquhar Macintosh , , , , , , , , ,

Mac Norton AntiVirus tip. If this affects you, you probably already know this, but just in case, I’ll metnion it. NAV under Mac OS 9 isn’t exactly reliable. Its autodetection of installing software (so it can offer to disable itself during the process) likes to crash the system. The conventional advice of rebooting without extensions to install software is no longer a suggestion in this environment. It’s a must.

I don’t like having antivirus software running all the time personally (it slows down systems something fierce and I find it preferable to just not engage in high-risk activities because sometimes things slip past antivirus software–I’ve always thought it’s better to promote responsible behavior than it is to try to make irresponsible behavior safe), but sometimes that’s unavoidable, e.g. in corporate environments where there are policies mandating such things.

Weird day yesterday. My boss and I had talked about moving me on to bigger and better things. Yesterday was the day. I totally forgot. I was wondering about mid-day why I hadn’t had anything to do when someone else mentioned it. Oops. So now I’m Office 2000 Deployment Czar. Sort of. Yuck. Didn’t I see a pile of IBM Selectrics somewhere…?

And then this… My songwriting partner asks about the feasibility of writing an original Christmas song for the Christmas Eve 11 pm service. Ooh. Is there such thing as an original Christmas song? But this is like being asked to write a song for your best friend’s wedding or something, so if there’s a way to still write an original Christmas song, I’ll find it.

~~~~~~~~~~

From: “Gary Mugford” <mugford@nospam.aztec-net.com>
Subject: The definition of rich
David,

  From the Great White North, have a great holiday season. We struggle
away ourselves, having already had the holiday
back in October.

  Your pastor’s saying brought back a memory of something I wrote way back
in Grade 9. Haven’t changed belief in it much
since then. It was a poetry assignment in English that was supposed to
combine traditional and non-traditional form.
It’s lousy, but I’ve never written a poem since then. To me, I’d done
better than I could ever do again. And since I had
the marks to afford it, I declined to ever write another poem. Schmaltzy,
yeah. Crazy for sure. But i’s gotta be me!

  I unabashedly give you …

The Richest Man in the World

“Rich,” he said, “That’s what I’ll be!”
“I’ll own the world, just you wait and see!”

And then he met her.

And his world started to shrink, not grow larger.
And his wallet grew thinner, not fatter.

As the years passed by,
and life passed unto death,
there came to be erected
in the Olde Church graveyard,
a tombstone bearing an inscription,

“Here lies a very, very rich man.
She loved him.”
~~~~~

Poetically, sure, there’s room to criticize it, but that doesn’t change the
message one bit. That is the coolest thing I’ve read in a long time. Thanks!
~~~~~~~~~~

From: “Don Armstrong” <darmst@nospam.yahoo.com.au>
Subject: Ergonomic thingies

Dave, have you checked out 3M’s CWS (Computer Workstation Solutions) site, particularly their Ergonomics section, and particularly what they call their Renaissance Mouse?

It’s at http://www.3m.com/cws/index.html

Now, the “Renaissance Mouse” obviously owes a lot of its ancestry to gamer’s joysticks, but it seems to me to make a lot of sense when I play-act going through the motions of using it. There are other things there – like gel-filled wrist-rests – that also make sense. I’ve used them before, and they help.

Regards, Don Armstrong
~~~~~

I just checked the site. The renaissance mouse looks much like the old
third-party joysticks people bought for Atari 2600 consoles. Definitely
interesting. I may be putting my credit card to use…

Thanks!

~~~~~~~~~~

From: Edwards, Bruce
Subject: Ripping audio

Hi Dave:

I noticed that yesterday you talked about ripping audio from your CDs.  What sound card do you recommend as a good choice for encoding audio from LPs to either WAV or MP3 format?  I am interested in (when I build my next PC in about three to four months) getting a sound card that will provide excellent fidelity from an analog line in source.  I know there will then be interference issues within the PC too, are certain sounds cards more immune to this than others?

Thanks for any comments.

By the way, I ordered you book off Amazon last Friday and they were selling it for 50% off list.

Sincerely,

Bruce

~~~~~

It’d be really hard to beat the Sound Blaster Live! series (just avoid the Value version of the card, now discontinued). The card itself has excellent sound quality, and a much larger number of capacitors on it than I’m used to seeing these days, which will cut down on excess noise. The sound inputs are outstanding as well. The only way you’ll do better would be to get a truly professional-grade audio card, such as those from Digital Audio Labs (but you’ll pay more for it and you’ll have a card with zero multimedia capability–no MIDI, no nothing).
 
I see as well that the book’s at 50% off list. I wonder if that means it’s nearing the end of the line? It’s still at 20% off in the UK, which is where my sales are anyway, so if it stays in print there I’m in good shape.

Putting the squeeze play on Linux

Dave Farquhar Linux , ,

Want the smallest, fastest OS possible? I stumbled across several Linux assembly language projects today. There’s asmutils, which attempts to give full functionality of various common Linux tools but in smaller, faster assembly language packages, and there’s Tiny ELF, a page of assembly language utilities that are somewhat useful, but the intent appears to be more to just see how small of a program he can write.
If you want to see just how far the insanity can go, check out this, which is about the craziest thing I’ve seen in a long time. I remember that mentality. It was the mentality of an Atari 2600 programmer. As one who replaced most of the standard Amiga commands with smaller, faster versions, I can appreciate these two projects. Maybe I’m just an old-timer or a sicko, but for some reason I get a kick out of seeing that my text editor uses a scant 68K of memory (with a large file open). The scary thing is, the command window that allows you to run all these tiny programs will itself occupy a meg or more. Sigh. Progress.

If you can’t buy it, is it legal to copy?

Dave Farquhar Music , , , , , , ,

3/29/00
Here’s a big, hairy question:

From: Francisco Garcia Maceda
Subject: Napster
To: Dave Farquhar

I have also been playing around with Napster for a couple of days and as you have seen there are a couple of rough edges still in the design and implementation. However, I think this is going to grow to something bigger and probably very different from the original implementation. There is already Wrapster, which allows you to “wrap” files, images, videos, programs, etc. in MP3 headers so you can exchange this “wraps” as if they were actual MP3’s. We’ll see.

The other day I was talking to a friend that made some research into copyright law both in the US and locally (Mexico). It appears that in both countries you can copy ANY copyrighted material that is out of print or distribution as long as you do not redistribute it or profit from it. This could be very important for people that don’t want to encourage piracy but at the same time is looking for some old tunes/books/etc. that are impossible to obtain today since they have been out of print for years/decades. Maybe you or one of your readers could shed some light in this topic regarding copyright law in the US and even in the EU?

Francisco Garcia Maceda

My understanding is that copyright law makes no provisions for material that’s in print or out of print, and until the copyright holder says it’s OK to freely copy something, freely copying it is illegal.

Tracking down the copyright holder can be a real pain. I wrote Optimizing Windows, but I don’t hold the copyright on it. If O’Reilly takes the book out of print, that doesn’t mean people can freely copy it. And in the case of my contract, O’Reilly retains the copyright, so you can’t get my permission to copy it–because I can’t give it. Sometimes the rights revert back to the author, but only the publisher and author can generally answer that question.

Those Young Snakes tunes I was referring to are a case point. Aimee Mann doesn’t own the copyrights on those, so she can’t give permission to freely copy them. She’s toyed with the idea of buying back the rights, but that’s never happened. So, technically, yes, by owning those MP3s, I’m breaking the law. Whether anyone cares is another question. Since no one’s making money off this 20-year-old EP that’s been out of print for probably 18 or 19 years, probably not. As Pournelle says, you have to let your conscience be your guide. [Ironic note: Some months later, Andy Breslau, the album’s producer, mailed me. We had a long, pleasant discussion over e-mail, and $10 later, I have a legal copy of the EP. So sometimes copyright holders will find you.]

Music is a bit hairy, because there’s the copyright on the lyrics and notes themselves, but then there’s the copyright on the recording. The label owns the copyright on the recording. The songwriter owns the copyright on the lyrics and notes. If an artist breaks from a label, the recordings don’t go with them, but they have the rights to re-record the song. Prince has long been threatening to do exactly this (and for all I know he’s made good on it).

That leads us into live concert recordings. A recording that a sound technician makes by splicing into the soundboard or that a fan makes by smuggling in a recording device isn’t covered by the label’s copyright, nor are they covered by the artist’s copyright, which is why the courts have upheld the rights of bootleggers. When you go into a record store and plunk down $40 for a Tori Amos live CD, Amos never sees a dime of it. The live recordings field is an underground industry, living on the very fringe of the law. As I said before, some artists worry about this stuff a lot, while other artists go so far as to encourage it. You have to be a fan to love these recordings, so I don’t see any problem with them. Record labels do, but the law isn’t on their side in this case. They may argue that this hinders their ability to sell live CDs, but I don’t buy that. I own every live Joy Division album their record label ever put out, plus every bootleg I’ve managed to find. The fanatics will buy anything that has their favorite band’s name on it, and those are the people who plunk down obnoxious amounts of money for these bootlegs. If those MP3s hurt anyone, it’s the bootleg record companies and the record stores that deal in them.

The other place where this question comes up a lot is old software. The author doesn’t make a dime if you go buy an Atari 2600 cartridge at a flea market for a buck, so it doesn’t make any difference to the author, I would assume, if you bought a copy of it or just downloaded the ROM image and played it with an emulator–though it makes a big difference to the law. With software this old, frequently the publisher is long gone, the author may or may not still be alive, but the copyrights are still valid for a few more years and someone, somewhere, owns them and could choose to enforce them.

Really, what it comes down to is two questions: 1. Am I hurting the owner of the copyright? And 2. If I’m not hurting the owner, morally I can do this, but legally I may not be able to, so am I willing to take that risk?

I hope that answers your question. I’m sure others will pipe in as well.

Dave

More thoughts on MP3. Record sales are down. The industry blames MP3. But as labels consolidate, they axe artists by the hundreds or thousands. The end result is fewer people recording music, and, probably, fewer sales. Plus, many artists don’t hit it big right away. It took U2 seven years and five albums. Today, they’re Ireland’s biggest industry. They wouldn’t have survived if they had come along in 1999 rather than 1979–Boy was a great album, a really great album, but probably wouldn’t have been a great commercial success in any era.

I don’t think MP3 hurts teenybopper bands like The Backstreet Boys and ‘NSync. Sure, those songs get pirated by the boatload, but they also sell by the boatload, and much of the money surrounding bands like that is in merchandising–lunch boxes, bedsheets, posters, videos… The records are an afterthought. (And it shows.) Those bands will disappear within a couple of years, just like the New Kids on the Block did in the late ’80s/early ’90s and the Bay City Rollers in the mid-1970s.

I think who the MP3s really hurt are the one-hit wonders. You know, bands like Deep Blue Something, who record an album with exactly one catchy song (“Breakfast at Tiffany’s,” in that band’s case) that goes on to become a mega-hit, but with no obvious followup the band drops off the face of the earth.

I don’t see how MP3s can hurt established bands any more than radio taping does. And record companies fall all over themselves to get their acts played on the radio.