Commodore introduced the Commodore 128 in 1985 as an upgrade path from the Commodore 64, the most popular model of computer of all time. The 128 addressed the 64’s biggest shortcomings while remaining mostly compatible with its hardware and software. That makes the Commodore 64 vs 128 a natural comparison, even more natural than comparing the 64 with the VIC-20.
The C64 vs. Apple II was perhaps the most epic battle of the 8-bit era. Both companies sold millions of machines, yet both nearly went out of business in the process.
Comparing the two machines with the largest software libraries of the 8-bit era is a bit difficult, but that’s what makes it fun. The two machines are similar enough that some people ask if the Commodore 64 was an Apple product. The answer is no.
As a weird aside, it was possible, with a Mimic Systems Spartan, to turn a C-64 into an Apple II. Not many did, but the reason why is another story.
It’s a common question: Why were early computers beige? In some ways it seems a curious color choice today.
Due to their tendency to yellow with age, there’s some occasional debate over what color early home computers really were. But, having spent about a decade working with them starting with when they were new, I can tell you that the Commodore 64 was definitely a tan or beige color. It’s not terribly far off from a Sherwin-Williams color that they call Keystone Gray, or a Benjamin Moore color they call Bennington Gray. Its official color match is called RAL1019. It’s a dark beige with gray undertones. But the color definitely runs toward tan or brown much more than it runs toward the gray color of, say, an Atari XE or Atari ST computer of the mid-late 1980s.
Early computers from Apple and Atari were similar colors. They weren’t a spot-on match for the color Commodore used, but much closer to that color than to the light beige that became associated with PC clones for a couple of decades before black came into vogue.
I have no insider knowledge but I think I can provide some insight into the design choices.
Last week Apple released a bunch of patches up and down its product line. One of the vulnerabilities it fixed in OS X was a vulnerability in its font parser.
In the past you could mitigate vulnerabilities like this by only installing fonts from trusted sources, but since it’s now possible for web pages to transmit fonts along with other content, there’s a limitless number of untrusted fonts out there in the world.
Since it may take a while for all of the major operating systems to shake out all of the problems in their font subsystems, that’s the reason I’ve recommended filtering fonts at the proxy.
There’s a new rule when it comes to security and privacy: If a service is free, then you’re the product.
Actually, come to think about it, the rule isn’t so new. I’m the product when I listen to the radio. Radio stations exist to deliver a product–namely, an audience–to advertisers, and the audience is different when you’re talking top 40 versus urban contemporary versus country versus classic rock versus alternative versus adult contemporary.
But when it comes to streaming music, the game changes a bit.
It was on August 24, 1995 that Windows 95 was released, amidst much anticipation. It was the most widely anticipated Windows release of all time, and the runner up really isn’t close. The idea of people lining up for blocks for a Microsoft product sounds like a bit of a joke today, but in 1995 it happened.
I received a free copy of it because I worked at Best Buy in the summer of 1995 and I aced Microsoft’s test that demonstrated sufficient aptitude to sell it. A few weeks later I landed my first desktop support gig, ending my career in a blue shirt, which means I probably never actually talked anyone into buying a copy of it.
I got plenty of Win95 experience over the next couple of years though.